Stringed puppet movie#
My favorite line from the movie is when Zuzu says, “Look, Daddy! Teacher says, every time a bell rings, an angel gets his wings!” (Did you know Odbody is his last name, by the way?) Nothing warms my heart more than the story of George Bailey learning to appreciate his life with the help of his guardian angel, Clarence Odbody. Outcomes are related to optical and acoustic looming, dynamic touch, tau theory, and Gibsonian perceptual theory.My family watches It’s a Wonderful Life nearly every Christmas. Perceivers' estimate errors were nearly perfectly predicted by height-force ratio relationships (Rs >. Experiments 4 and 5 showed that participants could project impending finger-hook collinearity when finger contact with the string was interrupted during its traverse. In all three experiments, estimated hook height closely paralleled actual height, r >. Experiment 3 replicated Experiment 2 using a ring instead of a rod.
Stringed puppet skin#
To retain force relationships but eliminate immediate skin contact, Experiment 2 employed a hand-held rod results replicated those of Experiment 1. In Experiment 1, participants judged hook height reasonably accurately. The vertical force component at the finger is potentially informative for perception, approaching zero at finger-hook collinearity. At the finger, the angle between string segments increased as the finger approached collinearity with the hooks, just as the optical angle subtended by an approaching object increases. Horizontally collinear hooks supported a weighted string held taut by a blindfolded participant's finger midway between the hooks. We demonstrate how the malleability, stretchability and aesthetic qualities of textiles can enhance rigid printed objects, and how textiles can be augmented with functional properties enabled by 3D printing.įive experiments tested a haptic analog of optical looming, demonstrating string-mediated haptic distal spatial perception. In this paper, we introduce a suite of techniques for integrating 3D printing with textiles during the printing process, opening up a new design space that takes inspiration from both fields. Combining 3D printing and textiles opens up new opportunities for rapidly creating rigid objects with embedded flexibility as well as soft materials imbued with additional functionality. Conversely, 3D printing is a relatively new technology that can precisely produce functional, rigid objects with custom geometry. Textiles can maintain their shape when placed under tension and can even be engineered with variable stretching ability. They can be easily folded, twisted, deformed, or cut some can be stretched many are soft. Textiles are an old and well developed technology that have many desirable characteristics. The piece, textit has since been acquired by the Smithsonian American Art Museum as an example of cutting-edge art that deals with contemporary issues of machine intelligence and the social role of our bodies. This paper explores how participants constructed and re-constructed their relationship with an interactive art installation.
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